Do Clothes Maketh a Man? In the Case of the High Priest, Yes

 

Garments are the frame that man creates, both towards himself – that which he wishes to be - and towards others and what they think about him. It also serves his role, assists, and allows him in performing his job

The finery of the Temple Priests, especially that of the Kohen Gadol High Priest (which is the focus of this article) is one of the main themes of this week’s Parashah, “Tetzaveh” (You Shall Command). These are described in exhaustive details as are their fabrics, ornaments, their function, and the accompanying protocol to wearing them.

 “Make sacred garments for your brother Aharon to give him dignity and honour,” G-d tells Moshe (Shemot 28:2). There are four pieces of clothing that are peculiar to the High Priest, described in Shemot 28:4-5.

The directive from G-d to Moshe is to make “a breastplate {containing twelve precious stones inscribed with the names of the twelve tribes of Yisrael}, an ephod {an apron like garment}, a robe, and a Tzitz {a headdress with a golden plate worn on the forehead bearing the inscription “Holy to G-d”}. They are to make these sacred garments….Have them use gold, and blue, purple and scarlet yarn and fine linen.” (Shemot 28:4-5). (It is important to note that these are to be worn all days of the year, except for Yom Kippur when the High Priest wears only white).

According to Ramba”n (13^th century, Spain), “these garments resemble those of royalty in form. At the time of the Torah, the monarchy would have worn such clothing. The tunic signifies leadership just as Yoseph was presented by his father with a ‘tunic of many stripes’…thus Aharon was to be clothed as a king of ancient times…….the miter is still worn by royalty and nobility to this day….the breastplate and ephod are regal attire and the headband is still a crown. The material used to make these garments, namely gold, sky-blue, purple and crimson, are precious and rare.”

Despite the similarities between the garb of the High Priest and those of a king, they differ in substance. Unlike kings, the attire of the High Priest constitutes “Bigdei Kodesh” (holy vestments).

Their sacred nature is signified in a few ways.

The first is rooted in their inclusion in the instructions for building the Mishkan (Tabernacle) and its furnishings. This suggests that these garments are not the personal property of the High Priest but rather a part of the Mishkan’s sacred components, as described in Shemot 39:1-31.

Additionally, the fabrics used to manufacture the garments of the High Priest are made and styled in the same fashion of those used in the most sacrosanct sections of the Mishkan. They are to be worn only when the High Priest enters the interior part of the sanctuary, twice daily, morning and evening.

The unique essence of the Priestly garb is further stressed by Rabbi Inyani Bar Sasson (3^rd century). According to him, each of the Priestly robes is intended to atone for a particular sin committed by members of Am Yisrael akin to the function of the sacrifices (Babylonian Talmud, Zevachim 68). He claims that it is not by coincidence that the Parashah addressing sacrifices is adjacent to the one focusing on Priesthood. Rabbi Bar Sasson lists offences, light as well as serious, for which different Priestly clothing items grant clemency.

The detailed directive describing the opulent garments of the High Priest, and their role have engaged Jewish sages over the years. Of particular interest was the command to “Make pomegranates of blue, purple and scarlet yarn around the hem of the robe, with gold bells between them….Aharon must wear it when he ministers. The sound of the bells will be heard when he enters the Holy Place before the Lord and when he comes out, so that he will not die” (28:33-35).

Rabbenu Bahya (Spain, c. 1050-1120) suggests that the bells serve two purposes. The first is akin to knocking on the door of the Entrance Hall of the inner Sanctuary to announce the arrival of the High Priest. According to him, since the Divine Kingdom is similar to an earthly one, anyone who abruptly enters the king’s hall is sentenced to death. To support his claim, Rabbenu Bahya, cites the Book of Esther 4:11, “All the king’s officials and the people of the royal provinces know that for any man or woman who approaches the king in the inner court without being summoned, the king has but one law: that they be put to death.”

Image of a golden bell ornament believed to be worn by a High Priest or another important leader from Second Temple period discovered in Yerushalayim in 2011

The second objective of the bells, proposes Bahya, is to alert G-d’s angels. Even though G-d and His celestial servants know all, it is important to alert them lest they harm the High Priest for interrupting the Divine repose.

The Rashba”n argues that the bells are there as a public notice for people announcing the approach of the High Priest. It serves as a warning in order to comply with the commandment which forbids the presence of anyone in the Hall when the High Priest is about to perform his holy duties.

Hezekiah ben Manoach (13^th century) suggests that the bells are there to remind Am Yisrael of prayer times and divert their attention towards that duty. He also believes that the bells help distinguish between the High Priest and the lay ones.

Clothes have cultural and social significance. The main message in this week’s Parashah presents us with another kind, a holy one, decreed by G-d Himself.

Judging by the opening verses of the Parashah, one cannot help but surmise that the main intent of the Priestly garb is to bestow “dignity and honour” upon those wearing it. This tendency goes hand in hand with the commandments concerning the construction of the  Mishkan and its unique vessels. They are aimed at spurring the awareness that the G-d of Yisrael is the G-d of the whole universe. It is, therefore, only appropriate that His servants, should, likewise, appear majestic, be dressed in “splendid and fine clothes…to be held in great reverence by all” (Ramba”m).